The Roman pottery sensationnel kiyari of Bracara Augusta has been usually studied from an historical and chronological perspective that mainly aims to understand the succession of productions or their contemporaneity.This perspective can frame products and fabric ordered in a timeline.This approach to time, although dominant in archaeological research, offers some interpretative limits.This study analyzes this click here material based on a perception of time as memory following Bergson (1999) and Deleuze (1999), in which the present and future configure dimensions of a virtual past that is constantly updated in the present, a perspective that can contribute to a different reading of the diversity of vessels that were consumed in Bracara Augusta.